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(on a journey for a few weeks.. take kare, and thanks for reading)
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Oxygen
Everything needs it: bone, muscles, and even,
while it calls the earth its home, the soul.So the merciful, noisy machine
stands in our house working away in its
lung-like voice. I hear it as I kneel
before the fire, stirring with a
stick of iron, letting the logs
lie more loosely. You, in the upstairs room,
are in your usual position, leaning on your
right shoulder which aches
all day. You are breathing
patiently; it is a
beautiful sound. It is
your life, which is so close
to my own that I would not know
where to drop the knife of
separation. And what does this have to do
with love, except
everything? Now the fire rises
and offers a dozen, singing, deep-red
roses of flame. Then it settles
to quietude, or maybe gratitude, as it feeds
as we all do, as we must, upon the invisible gift:
our purest, sweet necessity: the air.
~Mary Oliver
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(Solar Eclipse 'Diamond Ring' March 29, 2006)
"She and He."
"She is dead!" they said to him; "come away;
Kiss her and leave her, -- thy love is clay!"
They smoothed her tresses of dark brown hair;
On her forehead of stone they laid it fair;
Over her eyes that gazed too much
They drew the lids with a gentle touch;
With a tender touch they closed up well
The sweet thin lips that had secrets to tell;
About her brows and beautiful face
They tied her veil and her marriage lace,
And drew on her white feet her white silk shoes --
Which were the whitest no eye could choose --
And over her bosom they crossed her hands.
"Come away!" they said; "God understands."
And there was silence, and nothing there
But silence, and scents of eglantere,
And jasmine, and roses, and rosemary;
And they said, "As a lady should lie, lies she."
And they held their breath till they left the room,
With a shudder, to glance at its stillness and gloom.
But he who loved her too well to dread
The sweet, the stately, the beautiful dead,
He lit his lamp and took the key
And turned it -- alone again -- he and she.
He and she; but she would not speak,
Though he kissed, in the old place, the quiet cheek.
He and she; yet she would not smile,
Though he called her the name she loved erewhile.
He and she; still she did not move
To any one passionate whisper of love.
Then he said: "Cold lips and breasts without breath,
Is there no voice, no language of death?
"Dumb to the ear and still to the sense,
But to heart and to soul distinct, intense?
"See now; I will listen with soul, not ear;
What was the secret of dying, dear?
"Was it the infinite wonder of all
That you ever could let life's flower fall?
"Or was it a greater marvel to feel
The perfect calm o'er the agony steal?
"Was the miracle greater to find how deep
Beyond all dreams sank downward that sleep?
"Did life roll back its records dear,
And show, as they say it does, past things clear?
"And was it the innermost heart of the bliss
To find out so, what a wisdom love is?
"O perfect dead! O dead most dear
I hold the breath of my soul to hear!
"I listen as deep as to horrible hell,
As high as to heaven, and you do not tell.
"There must be pleasure in dying, sweet,
To make you so placid from head to feet!
"I would tell you, darling, if I were dead,
And 'twere your hot tears upon my brow shed, --
"I would say, though the Angel of Death had laid
His sword on my lips to keep it unsaid.
"You should not ask vainly, with streaming eyes,
Which of all deaths was the chiefest surprise,
"The very strangest and suddenest thing
Of all the surprises that dying must bring."
Ah, foolish world; O most kind dead!
Though he told me, who will believe it was said?
Who will believe that he heard her say,
With the sweet, soft voice, in the dear old way:
"The utmost wonder is this, -- I hear
And see you, and love you, and kiss you, dear;
"And am your angel, who was your bride,
And know that, though dead, I have never died."
by Edwin Arnold(image captured by Kyle Carmona near Jalu, Libya)
To contemplate impermanence on its own is not enough: You have to work with it in your life. Let's try an experiment. Pick up a coin. Imagine that it represents the object at which you are grasping. Hold it tightly clutched in your fist and extend your arm, with the palm of your hand facing the ground. Now if you let go or relax your grip, you will lose what you are clinging to. That's why you hold on. But there's another possibility: You can let go and yet keep hold of it. With your arm still outstretched, turn your hand over so that it faces the sky. Release your hand and the coin still rests on your open palm. You let go. And the coin is still yours, even with all this space around it. So there is a way in which we can accept impermanence and still relish life, at one and the same time, without grasping. |
Love means to learn to look at yourself The way one looks at distant things For you are only one thing among many. And whoever sees that way heals his heart, Without knowing it, from various ills. A bird and a tree say to him: Friend. Then he wants to use himself and things So that they stand in the glow of ripeness. It doesn't matter whether he knows what he serves: Who serves best doesn't always understand. ~ Czeslaw Milosz |